¡Marumba! for Two Pianos/Six Spanish Lessons for Harpsichord/Six More Spanish Lessons for Piano/Time Out of Mind for Piano/Sonatina for Piano/Icarus for piano/Autumn Landscapes for Organ/Pentacles for Organ
Five Winter's Tale Songs for Baritone and Piano/Letters from Abigail for Soprano, Cello and Piano/Six Spanish Songs for Soprano and Piano/A Benjamin Songbook for Soprano, Two Mezzo Sopranos, Clarinet and Piano/Wind Shadows for Mezzo Soprano, Clarinet and Piano
Icarus for piano solo is a virtuoso showcase, composed in 1990 for pianist William Koseluk. Icarus was performed most recently at the Santa Barbara Chamber Music Festival (2004) by pianist Edith Orloff.
Fern Hill, for chorus and piano (poem by Dylan Thomas) was composed in 1983, and revised in 2007. This SATB setting features several opportunities for soloists from within the chorus, and the piano provides the colorful and pastoral landscape that the poet paints in his tribute to childhood.
Many, but by no means all, of John Carbon's works are available in this store.
To access the composer's website, please click on the johncarbon.com button below.
On the Sheet Music page you will find links to other retailers that sell or
rent John Carbon's music. There are also links
on his webpage to the composer's recordings, reviews,
performances and bio.
You can purchase many of John Carbon's printed and bound scores by mail order at Lulu.com. Visit johncarbon.com to access other retailers who offer John Carbon's sheet music, study scores, rental scores and recordings.
Benjamin: An Opera in Two Acts (1987)
Music by John Carbon, Libretto by Sarah White,
Franklin & Marshall Opera Theatre,
William Wright, music director,
David Winitsky, stage director,
Benjamin Baritone: Stephen Kalm, baritone,
Deborah Franklin: Valerie Bernhardt, mezzo-soprano,
Benjamin Younger: Kristen Forrest Leich, mezzo soprano,
Madame Brillon: Lorraine Ernest.
Zimbel Records, 2007 release (#ZR114)-2 DISC SET
$20 direct from Zimbel Records.
Or order through other online resellers including Amazon.com
Fanfare Magazine:
"...an extraordinarily talented and compelling composer."
American Record Guide:
" ...an excellent showcase for a worthy composer."
Records International:
"...serenity and melodic tenderness...providing the listener with a richly varied experience. A virtuosic tour de force."
Sequenza/21: The Contemporary Classical Music Weekly (April 2003 Editor's Picks):
"...valuable recording of an unjustly neglected composer."
The Clarinet (William Nichols/Audio Notes, May, 2003):
This is a disc of imaginative new music, well played and recorded, and which may be of interest to clarinetists seeking new solo and chamber material."
Randy Nordschow, Production Coordinator, New Music Box, American Music Center (Issue 48 Vol. 4 No. 12, April, 2003):
"Coupled with his broad understanding of virtuosic writing is Carbon's flair for gestural drama, which generates an unbridled outcome, especially in pieces such as the Piano Concerto of 1998."
Dream Spiral for Clarinet, Violin and Piano/
Fantasy Impromptu for Flute, Cello and Piano/
Fantasy for Harpsichord and String Quartet/
Crossing Over for Clarinet, Violin and Piano/
A Bestiary for Two Clarinets/Tres Arrullos for violin and viola/
Land's End for Cello and Piano/
In Early March for Violin and Piano/
Bess Houdini's Vaudeville Act for Trumpet and Piano/
Niobe's Tears for Flute and Piano/A Winter's Tale for Clarinet, Cello and Piano/Wisteria for G Shakuhachi, Guitar, Viola and Cello/Six Twilight Pieces for Solo Clarinet/Do Not Go Gentle for Piano Trio
