Return to SibeliusMusic.com Help My basket My details
 
 SibeliusMusic > Stores > Lincoln Music Publications
search for easy search Help about searching

What's New

"Men at Work"
(7th Oct 2007)

See all news

Latest scores

Strauss II - On the Beautiful Blue Danube (Brass Quintet) by Johann Strauss II

Wedding Processional & Recessional (Woodwind Quartet) by Wagner / Mendelssohn

Ravel - Pavane For a Dead Princess (Saxophone Quartet) by Maurice Ravel

Debussy - Reverie (Woodwind Quartet) by Claude Debussy

1812 Overture - P. I. Tchaikovsky (Woodwind Quartet) by P. I. Tchaikovsky

Bach - Four-Part Chorales (36 in set) (Woodwind Quartet) by J. S. Bach

Ravel - Pavane For a Dead Princess (Woodwind Quartet) by Maurice Ravel

Strauss II - Pizzicato Polka (Brass Quintet) by johann Strauss II

Bizet - Carmen, selections from (Woodwind Quartet) by Georges Bizet

Bizet - Farandole from L’Arlesienne Suite II (Woodwind Quartet) by Georges Bizet

20 Traditional Christmas Carols (Woodwind Quartet) by Various

Bach - "Sleepers Wake" (Woodwind Quartet) by J. S. Bach

Bach - Arioso (Woodwind Quartet) by J. S. Bach

Ravel - Pavane For a Dead Princess (Clarinet Quartet) by Maurice Ravel

March - General's & Flag Officer's (Saxophone Quartet) by various

Barnby - O Perfect Love (Woodwind Quartet) by Joseph Barnby

Strauss II - Tales from the Vienna Woods (Brass Quintet) by johann Strauss II

March - The Stars & Stripes Forever (Woodwind Quartet) by Kenneth Abeling

Bach - Bist du bei mir (Woodwind Quartet) by J. S. Bach

Beethoven - Quartet in No. 1 in F Maj. Mov. I (Clarinet Quartet) by Beethoven

See all recent scores

Latest Reviews

"Awesome Arrangement"

"Make way Handel!"

"A blast to play"

See all recent reviews
290 scores available now!
First time visitor? Click here...

Top scores in 'Brass Quintet'

Top scores in 'Clarinet Quartets'

Click To View All Scores

Top 10 scores

Top scores voted for by visitors to this store

1. March - Pomp and Circumstance (Woodwind Quartet)
2. Holst - First Suite for Military Band in Eb - III. March. (Sax Quartet)
3. Holst - First Suite for Military Band in Eb - I. Chaconne (Sax Quartet)
4. Strauss II - On the Beautiful Blue Danube (Clarinet Quartet)
5. Bach - "Sleepers Wake" (Clarinet Quartet)
6. Star Spangled Banner (Sax Quartet SATB)
7. Patriotic Melodies (3) Vol. I (US) (Sax Quartet SATB)
8. March - National Emblem (Sax Quartet)
9. Jazz Christmas - Jingle Bells (Sax Quartet)
10. March - Alte Kameraden (Old Commrades) (Sax Quartet)

Bio - Kenneth W. Abeling

Ken Abeling graduated from Fredonia State University in 1980 with a baccalaureate degree in music education. During his studies, Mr. Abeling concentrated heavily on orchestration and jazz arranging courses with Walter S. Hartley and Emil Palame, respectively. Upon graduation from college, Mr. Abeling taught high school in central upstate New York before joining the United States Army in 1985 as a saxophonist. He served as staff arranger for three Army bands during his active duty tenure, writing for concert band, jazz ensemble and a variety of chamber groups. His stations included: The 392nd Army Band at Ft. Lee - Virginia, The 2nd Infantry Division Band at Camp Casey - South Korea, and the “The Army Band of New York City” at Fort Hamilton in Brooklyn, New York. While stationed in New York he completed additional coursework in audio engineering. Upon leaving active duty, he began working as a digital audio editor for SONY Classical Productions and as a recording engineer for Unique Recording Studios. Mr. Abeling currently lives in the suburbs of Chicago with his wife and two children. He owns and operates a recording studio while serving as the enlisted bandleader and First Sergeant of the 85th Division Army Reserve Band of Arlington Heights, IL. He continues to play with and write for the saxophone quartet of the 85th Division Band. Of the more challenging pieces found among his saxophone music, most were originally written for groups he has worked in, particularly his current quartet. He has recently decided to expand the range of his output to reach a wider group of performers. I have little doubt that he will continue to compose and arrange as skillfully for the professional as well as the beginning saxophone, clarinet and woodwind quartet as well as other ensembles in the future. Cherilee Wadsworth Walker, PhD Teaching Chair, Performing Arts Illinois Central College

I'm feeling lucky!

To see a randomly choosen score, click