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New Catagories
(2nd May 2009)

"Men at Work"
(7th Oct 2007)

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Latest scores

Handel - Messiah - Behold the Lamb of God (Sax Quartet) by G. F. Handel

Satie - Gymnopedies #1 (Sax Quartet) by Erik Satie

Purcell - Trio Sonata No.9 in F ('The Golden Sonata') (Sax Quartet) by Henry Purcell

Fiddle Tunes Medley #1 (Sax Quartet) by Traditional

Handel - Messiah - His Yoke is Easy (Sax Quartet) by G. F. Handel

Handel - Messiah - And With His Stripes We Are Healed (Sax Quartet) by G. F. Handel

Carmen, selections from (Sax Quartet) by Georges Bizet

Handel - Messiah - Glory Be To God (Sax Quartet) by G. F. Handel

Purcell - Trio Sonata No.9 in F ('The Golden Sonata') (Brass Quintet) by Henry Purcell

Jazz Christmas Carol - Bring a Torch, Jeanette, Isabella (Sax Quartet) by Traditional

Narvaez - Cancion del emperador (Sax Quartet) by Luys de Narvaez

Dowland - My Lord Willoughby is Welcome Home (Sax Quartet) by John Dowland

Rimsky-Korsakoff - Flight of the Bumble Bee (Sax Quartet / Alto solo) by Rimsky-Korsakoff

Hymns - 40 Beloved Christian Hymns for (Brass Quintet) by Traditional

Milan - 5 Pavanes (Sax Quartet) by Louis de Milan

Narvaez - Diferencias sobre, "Guardame las vacas" (Sax Quartet) by Luys de Narvaez

The Nutcracker - 8. Waltz of the Flowers (Sax Quartet) by P. I. Tchaikovsky

Tellemann - Quartet in F Major (Sax Quartet) by G. P. Tellemann

Ravel - Pavane for a Dead Princess (Brass Quintet) by Maurice Ravel

Albeniz - Sevilla (Sax Quartet) by Isaac Albeniz

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Latest Reviews

"WOW!"

"A Masterpiece"

"One Thing"

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324 scores available now!
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Top scores in 'Woodwind Quintets'

Top scores in 'Clarinet Quartets'

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Top 10 scores

Top scores voted for by visitors to this store

1. March - Alte Kameraden (Old Comrades) (Sax Quartet)
2. March - Radetzky (Sax Quartet)
3. 1812 Overture - P. I. Tchaikovsky (Woodwind Quartet)
4. Handel - Water Music Suite No. 2, II. Hornpipe (Clarinet Quartet)
5. Pictures At An Exhibition - 7. Promenade No. 5 & Market at Limoges (Sax Quartet)
6. Strauss II - Tales from the Vienna Woods (Brass Quintet)
7. March - General's & Flag Officer's (Saxophone Quartet)
8. 20 Traditional Christmas Carols (Sax Quartet SATB)
9. Bizet - Farandole from L'Arlesienne Suite II (Clarinet Quartet)
10. March - Pomp and Circumstance (Woodwind Quartet)

Bio - Kenneth W. Abeling

Ken Abeling graduated from Fredonia State University in 1980 with a baccalaureate degree in music education. During his studies, Mr. Abeling concentrated heavily on orchestration and jazz arranging courses with Walter S. Hartley and Emil Palame, respectively. Upon graduation from college, Mr. Abeling taught high school in central upstate New York before joining the United States Army in 1985 as a saxophonist. He served as staff arranger for three Army bands during his active duty tenure, writing for concert band, jazz ensemble and a variety of chamber groups. His stations included: The 392nd Army Band at Ft. Lee - Virginia, The 2nd Infantry Division Band at Camp Casey - South Korea, and the “The Army Band of New York City” at Fort Hamilton in Brooklyn, New York. While stationed in New York he completed additional coursework in audio engineering. Upon leaving active duty, he began working as a digital audio editor for SONY Classical Productions and as a recording engineer for Unique Recording Studios. Mr. Abeling currently lives in the suburbs of Chicago with his wife and two children. He owns and operates a recording studio while serving as the enlisted bandleader and First Sergeant of the 85th Division Army Reserve Band of Arlington Heights, IL. He continues to play with and write for the saxophone quartet of the 85th Division Band. Of the more challenging pieces found among his saxophone music, most were originally written for groups he has worked in, particularly his current quartet. He has recently decided to expand the range of his output to reach a wider group of performers. I have little doubt that he will continue to compose and arrange as skillfully for the professional as well as the beginning saxophone, clarinet and woodwind quartet as well as other ensembles in the future. Cherilee Wadsworth Walker, PhD Teaching Chair, Performing Arts Illinois Central College