Der Tantenmörder (1993) - piano & vocal by André van Haren
Der Tantenmörder, a song for voice and piano, based on a poem by Frank Wedekind.
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All Reviews
There are 2 reviews for this score
Answer to the last review
I think this is the perfect sort of music for these modern lyrics.
The idea of modern music is just the idea of destroying old ideas of regularity or harmony.
Although I'm a German too, I rather write this in English(even if my English may be quite bad), because I experienced, that talking German is for English speaking people quite like talking Chinese (maybe I'm wrong; please right me if I am).
Jan Hommer
Strange
Hmm, this piece sounds a little strange to me, I can't really hear the regularities out of it.
And now some words in German, because my vocabulary in English is to small to express it in English:
Schade, dass die meisten Leute hier kein Deutsch sprechen, wenn die verstehen w?rden, um was es in diesem St?ck geht, w?rden sie sicher nicht daf?r stimmen. Es ist mir jetzt schon ein R?tsel, wie so etwas zu einem der besten 10 St?cke gew?hlt werden kann. Ich meine, schau dir doch mal an was du da gemacht hast.
Texte von Schriftstellern solltest du besser mal Texte sein lassen, wer weiss was sonst noch alles rauskommen w?rde, wenn du da wieder was komponierst.
More from André van Haren
- A Classical Sonate
- Voorjaars Ontwaken, act 3, scene 4: Zwanger (Pregnant).
- Voorjaars Ontwaken, act 1, scene 1: De Jurk (The dress).
- Giving and Rewarding; for soprano, mezzo soprano and alt.
- Time and eternity
- Ich bin der Welt abhanden gekommen
- Giving and Rewarding
- Hymn
- Prelude and Fuga
- Voorjaars ontwaken, act 3, scene 5: Kerkhof (Graveyard).
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