I Don't Wanna Let You Go for Brass Band (British Style) (2006) - wind/brass band by Keith Terrett (Music for all Occasions)

An original composition, written for the British style Brass Band.

The work is published by my Welsh Publisher in Ton Pentre called Jagrins Music Publishers:

www.jagrins.com

Score and parts are ONLY available through them.

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All Reviews

There are 6 reviews for this score

"I Don't Wanna Let You Go for Brass Band" composed by Keith Terrett
"I Don't Wanna Let You Go for Brass Band" composed by Keith Terrett Ready for something a little different everyone. Keith has rubber stamped his personality as a fine Jazz and general all round musical wizard on an original composition that has a wonderful Blues influence and works well for Brass Band. The Soprano line is interesting to say the least and will make any player of that instrument eager to get his teeth into it. Another well crafted work from the pen of Keith Terrett!!

Ian Macpherson

 

Nice Rock Ballad
Great job, Keith. I seems to show, to me at least, some Beatles influence. I don't know if a brass band would ever feature a vocalist, but I would love to this piece sung. It is very song-like throughout. I personally prefer that it go a bit faster. Many rock ballads go faster than you would think. Perhaps that is up to the performer. The ending is one of those things that is not handled very well by Scorch. It is a nice bit of drama to close out the piece which is not reflected in the playback. Try manually pulling the tempo back with the Scorch control for a better idea of the ending. Even this does not to the last note justice. Regarding the comment about the trombone parts: Sometimes a piece just works out that way. It would be nice for the trombone players if there was more going on, but I can't see changing a nice-sounding score. That's just show business.

Robert Reck

 

Soprano Cornet Players Will Drool!
Over this piece. The sop line is gorgeous and will find many friends in a mch forgotten instrument. All the usual Keith Terrett marks are in this piece, he thrives on the blues scale eeking every last drop out of it.

Kevin Riley

 

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